Considering the lengths to which the Tropic Thunder gang went to sell all of their Hollywood fakery, it comes as little surprise that the mock making-of Rain of Madness does exist beyond a mere trailer (embedded above, and probably not kid-friendly) and website. However, while I'm sure it'll be included on the eventual DVD, who's really going to wait that long when it's currently available as a free iTunes exclusive?

That's right: for thirty minutes and zero dollars (yep), one can follow filmmaker Jan Jürgen (co-writer Justin Theroux, as if making Werner Herzog's Hearts of Darkness) as he chronicles the expensive chaos that went behind making the movie within the movie. Star/director/co-writer/probable caterer Ben Stiller explained in a recent press release: "We wanted to do a fake documentary about the making of the movie within the movie which is called "Tropic Thunder" -- not the actual movie "Tropic Thunder". The fake documentary focuses on the real movie's fake director, and what happens to the fake cast before they go into the real jungle. It's pretty straightforward."

Well, I know who I am. I'm the dude playing the dude currently downloading this S.O.B. Any of you who follow suit, share your thoughts below.

It really seemed like we were finally going to get Garth Ennis' Preacher this time -- the dark, funny, and controversial comic book series seemed perfect for HBO. Isn't that what they do, after all?

Apparently not. Mark Steven Johnson told Comics Continuum that they've passed on the series. "We were budgeting and everything and it was getting really close to going. But the new head of HBO felt it was just too dark and too violent and too controversial. Which, of course, is kind of the point! It was a very faithful adaptation of the first few books, nearly word for word. They offered me the chance to redevelop it but I refused. I've learned my lesson on that front and I won't do it again. So I'm afraid it's dead at HBO."

But, Johnson says that he's heard that someone is trying to obtain the rights for a big screen adaptation, and that he hopes it happens -- and that whoever nabs it can do the stories justice in a series of films. "Someone" doesn't narrow it down much, but shall we let our imaginations run wild? Frankly, in this world where the legendarily un-filmable (Lord of the Rings, Watchmen) is being made every day, I can't believe Preacher remains untouched. Isn't every studio dying for its own mature comic franchise? Isn't there a daring young filmmaker who's just dying to be boycotted, picketed, and harassed? Aren't we constantly hearing that all publicity, no matter how bad and hysterical, is desirable? Let's put it to the test. Whoever that "someone" is that's angling for the rights, may they succeed, and get Preacher on the big screen.

Spike Lee and Disney might sound like a pretty odd combination, but I don't really see it that way. (Lest we forget that the excellent 25th Hour was a Disney production.) Love the guy or not, Spike Lee has turned into quite the eclectic filmmaker over the last few decades -- and so when I heard that the guy was helming a $50 million WWII drama for Disney, I was intrigued but not surprised. Based on the book by James McBride -- and adapted for the screen by same -- Miracle at St. Anna tells the tale of four black soldiers who find themselves stuck behind enemy lines in Italy.

Opening September 26, St. Anna stars Derek Luke, Michael Ealy, Laz Alonso, and Omar Benson Miller. Also on board are John Turturro, D.B. Sweeney, Kerry Washington, John Leguizamo, and Joseph Gordon-Levitt. Riding high after his last feature film (the solid and profitable Inside Man), Mr. Lee looks to be moving into "Oscar-friendly" territory again with St. Anna -- and I know I'm not the only movie fan who's curious to Lee's first big war movie.

I'm not one of those waiting for Transformers 2: Revenge of the Fallen with a whole lot of anticipation. I feel bad about saying that, but let's face it, Transformers passed me right by as I was playing with Strawberry Shortcake. Many have tried to re-educate me on the awesomeness of Optimus Prime, and failed.

Nevertheless, even I have to admit it's pretty cool when a screenwriter drops in among their fans for a good sequel chat. That's what Robert Orci, one of the scriptwriters for Transformers 1 and 2, has done over at Transformer World 2005. The dedicated can sift through what is currently 82(!) pages of script Q&A, by the time you read this, it will probably be 182. Much of it is hints as to which robots might factor into the sequel -- including a tease that Arcee, the girl Transformer, might appear. On the other hand, he's careful to remind fans that anything you hear about the film is probably careful disinformation, but well meant. "It is fun to 'play' with fandom, not to toy with fandom -- I do not hand out disinformation."

But there's a few reliable sounding bits in here. According to Orci, the sequel will be more "global" in scale, and that there won't a lot of re-introductions. "The first movie is all about the mystery and reveal of the Transformers as a concept and a species, which means we had to hide them a lot in the first hour. In the second movie, now that everyone believes in the universe, we can jump right into the world of the Transformers." The movie will be firmly rooted in Transformers mythology, but will also maintain the "liberties" taken with it in the first film.

He insists they're listening to fan input, so anything you want to see, now's the time to demand it. I'm going to go ahead and demand Arcee, if only to ponder how Transformers can have gender, and whether she will be pink.

Tropic Thunder held onto the top spot for two weeks in a row, followed by The House Bunny and Death Race. Last week's two other newbies The Longshots and The Rocker took the number 10 and 13th spots respectively. Here's what the top five looked like:

1. Tropic Thunder: $16.2 million
2. The House Bunny: $14.5 million
3. Death Race: $12.6 million
4. The Dark Knight: $10.5 million
5. Star Wars: The Clone Wars: $5.6 million

Babylon A.D.
What's It All About: Vin Diesel stars in this futuristic actioner as a bodyguard charged with delivering a young woman from Russia to the U.S. Little does he realize that she is hosting an organism that a cult hopes to use to create a new messiah.
Why It Might Do Well: While not on a par with this Summer's biggest flicks, Babylon A.D. represents the last gasp of the season's eye candy movies and it's getting a really wide release.
Why It Might Not Do Well: Those thinking this might be a big screen version of Babylon 5 may be in for a disappointment. Also, with five reviews in, Rottentomatoes.com is giving this 0% rotten as of this writing.
Number of Theaters: 3,200
Prediction: $23 million

College
What's It All About: Drake Bell from Nikolodeon's Drake and Josh plays one of several high school kids on a college visit looking to party. Hijinks and projectile vomiting ensue.
Why It Might Do Well: Someone must feel nostalgic for those bowl-hugging college days.
Why It Might Not Do Well: Because part of me wants to believe there is justice in the universe.
Number of Theaters: 2,000
Prediction: $5 million

Disaster Movie
What's It All About: Jason Friedberg and Aaron Seltzer, the writer/director team behind Meet the Spartans, Epic Movie and the Scary Movie franchise go to the well once again with a flick that parodies disaster movies, super hero flicks and various pop culture icons.
Why It Might Do Well: Like them or not, Friedberg and Seltzer's movies tend to make a respectable if not stellar profit.
Why It Might Not Do Well: Maybe the public has had enough of these things. I can dream, can't I?
Number of Theaters: 2,500
Prediction: $11 million

Traitor
(opens Wednesday)
What's It All About: Don Cheadle stars in this tale of international intrigue as a deep cover CIA agent under investigation by the FBI as a possible terrorist.
Why It Might Do Well: In addition to Cheadle the impressive cast includes Guy Pearce and Jeff Daniels.
Why It Might Not Do Well: Fresh off the Summer blockbuster season, will audiences want a film about such weighty matters?
Number of Theaters: 2,054
Prediction: $9 million

Box office predictions become a much wilder and woolier proposition once blockbuster season ends, making it all the more exciting if you ask me. Here's what I think next week's top five will be:
1. Babylon A.D.
2. Disaster Movie
3. Traitor
4. Tropic Thunder
5. Death Race

Last week's top five took us all by surprise. Most didn't think Tropic Thunder would take another week at number one, and many expected The Rocker to do better. Here's how we all did:
1. LostinaFog: 7
2. I Eat Robots: 6
2. Romel: 6
2. Smiggy: 6
2. Victor de la torre: 6
2. Mike: 6
2. Adam P: 6
2. Vera: 6
3. Matt: 4
3. Chris: 4
3. Alex: 4
3. Liz: 4
3. Vega: 4
3. Zctop: 4
3. NP: 4
3. Ray: 4
3. VP: 4
3. AJ Wiley: 4
3. Greatone: 4

Post your predictions for the top five movies in the comments section below before 5:00PM Eastern Time on Friday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

As with most any other genre, pitching a thriller seems to go that much more swimmingly once one finds an ideal blockbuster reference point with which to do half of the leg work. It's 'Die Hard meets this', 'Speed on a that', and, when in doubt, just say the damn thing is 'Hitchcockian'.

Post-2001, the likes of TV's '24' and 'Sleeper Cell', and film's Jason Bourne franchise, have tapped into both our political climate and pop culture zeitgeist, into a globe-trotting, gun-toting fear of the here and there and always now. Jeffrey Nachmanoff's Traitor feels like the first film that has itself been directly spawned in the wake of those successes, as opposed to merely being bolstered by it, and while it may overtake, say, Vantage Point in terms of plausible plotting and worldly knowledge, it remains a film that is good enough to grasp the bar and yet not quite enough to raise it.

Can everyone guess where I am right now, and what I'm doing? I'm very thankful that the New Orleans airport has free wireless available while I wait for an airplane crew to show up for my flight, so I can return to sunny Austin. In the meantime, I have a laptop and Internet access and a stack of DVDs to watch. I am prepared. I can watch movies indefinitely if necessary, especially if I can get Hulu or Netflix's Watch Instantly cranked up.

I have a few suggestions for packing / purchasing / (legally) downloading movies to watch on your laptop or other device in an airport or on a plane. Pick at least one or two movies that are old familiar favorites. Sometimes when you're stuck in a terminal with poor food choices, a "comfort movie" can be your very best friend. In addition, I find it difficult to listen clearly to movies on an airplane or even in a noisy terminal (you don't want the sound too loud, so you can hear updates on your flight's delay), so it's best to pick something where you already know what's going on and don't need to catch every last nuance of dialogue. Big goofy action films and physical comedies have an advantage over talkier films where you have to pay attention.

In compiling this list of specific recommendations, I tried to avoid the overwhelmingly obvious choices for watching movies in airports -- personally, I don't want to watch disaster films at times like this, or even spoofs of disaster films like that timeless comedy Airplane. The Terminal and Snakes on a Plane also a little too close for comfort. I thought instead of lighter fare, with scenes that emphasized the fantasy world of airline travel, good or bad, and the magic of escapism. Next time, I'm tucking a few of these in my laptop bag myself.

If ever there was a pairing to hipster fan-boys everywhere; it is Michael Cera and Edgar Wright. Think about it, Cera made a name for himself being the awkward hero, and who can write an unlikely hero better than the man who helped write the Blood and Ice Cream trilogy? In an interview with Wizard Universe, Wright got the chance to update the status of his indie-comic feature, Scott Pilgrim vs. the World (if you have also been waiting with bated breath for news on his Ant Man adaptation, there are a few tidbits to be had as well). So if you were worried that Pilgrim would fall by the wayside in the light of some of Wright's other projects, fear not, all is well in Pilgrim-land.

The original series was about a young Canadian and wannabe-rock star who falls for an American girl with the memorable name of Ramona V. Flowers (aka, the perfect girl). But in order to win the lady fair, our slacker must defeat her seven evil ex-boyfriends in hopes of winning a date with his dream girl. Cera plays Pilgrim, the bassist for the terribly titled band, Sex Bob-Omb, and Mary Elizabeth Winstead will star as Ramona. Wright isn't counting on making any more sequels the film as the comic was originally a 6-part series. Instead, Wright told Wizard that, "The script that we've written essentially covers all six. If it was at the level of Harry Potter we might be able to talk about doing six films but in this case our film is very much an adaptation of the entire six."

It comes as little surprise whenever a studio decides to kindly remove a film from a director's hands -- the situation with Lionsgate's treatment of Punisher: War Zone still smells fishy from this end -- but while most filmmakers would proceed to bite their tongues and salvage their careers, Mathieu Kassovitz begs to differ on his own film, the Vin Diesel vehicle Babylon A.D., which opens this Friday in an all-too-familiar August dump situation (joining it on the marquee: alleged comedies Disaster Movie and College).

In an exclusive interview with AMC's sci-fi blog, Kassovitz admits that a troubled production and comprised final cut (at least in the States, although reviews from elsewhere aren't much kinder) are responsible for turning his adaptation of Maurice Georges Dantec's futuristic novel into "pure violence and stupidity... like a bad episode of '24'."

As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film's director. But that first guy ... Steve Martin? The Steve Martin?

I knew the one-time Wild and Crazy Guy was a renaissance man. In fact, lately I've enjoyed his writing, which is clever, nuanced, and intelligent, more than I've enjoyed most of his movies. He apparently is not as selective about his film projects as he is about his writing. His novella The Pleasure of My Company is one of my favorite recent books, and Shopgirl (which was made into a film) is another surprisingly emotional gem.

But a terrorism thriller about Muslim extremists and FBI investigations? Even with the understanding that "typical Steve Martin" territory extends much further than the casual fan might realize, this was not typical Steve Martin territory. Checking out the film's website, I found this explanation:

"Traitor began its journey to the big screen when Steve Martin presented an intriguing idea to producer David Hoberman while they were working together on the blockbuster comedy Bringing Down the House. Martin's "what if?" scenario immediately captured Hoberman's imagination with its provocative contemporary themes and surprising final twist."

The production notes go on to describe Nachmanoff and Don Cheadle doing a lot of reworking of Nachmanoff's script, which had been based on Martin's original concept, so I don't know how much of Martin's idea is in the finished product. (He's also credited as an executive producer.) But either way, as a huge fan of Martin's, it's always exciting to see him do something new. It's also nice to know that something positive came out of Bringing Down the House.